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Quartering by horses


The iron maiden of Nuremberg


Spiked collar


Torture chair


Gossip’s bridle


The Poggio Catino skeleton


Sword of justice


Executioner’s knife


Pillory or stocks


Whipping block
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Axe of beheading
Provenance: Rome, Museo di Castel Sant'Angelo, 1934


Justice from the middle ages to the 19th Century

Instruments of torture (some of which are authentic while others are reproductions) are evidence of the cruelty of early forms of punishment that were based on the use of torture and execution.

The exhibits in this first section include some pillories, a whipping block, an axe used for beheading, the sword of justice used to decapitate Beatrice Cenci in 1599, a copy of the Iron Maiden of Nuremberg and a spiked collar.

The so-called “Hungarian” torture chair, of which the museum has a copy, is only one of the countless instruments of torture used from the sixteenth to the seventeenth century to extract confessions from women accused of witchcraft.

The “gossip’s bridle”, an authentic piece found in the River Adda at Pizzighettone, is an iron mask that was placed over the face of women accused of malicious gossip and slander. Lashes, whips and a large collection of iron chains used to punish, restrain and transport prisoners to hard labour areas testify to the brutal conditions of the notorious bagni penali, or penitentiaries, of the nineteenth century.

The room devoted to justice at the close of the eighteenth century and in the nineteenth century (which completes the itinerary on the ground floor) has the red robe worn by papal executioner Mastro Titta, alias Giovan Battista Bugatti, for public executions; a gallows from Alba (Italy); three guillotines, including the one erected in Piazza del Popolo in Rome, which was used until 1869; the objects that the Confraternity of San Giovanni Decollato used to bring comfort to prisoners under death sentence: alms-boxes; the “comforter’s tunic” that took care of the condemned prisoner’s soul; the banners with crucifixes that were raised as the prisoner was led, in procession, to the gallows; and the zinc cups from which the condemned man drank his last drop of wine before he was beheaded.
 


Comforter’s tunic


Zinc cups


Alms-boxes


Crucifix on panel


Comforter’s crucifixes


Hangman’s nooses


The Milazzo cage


Guillotine used by the Papal State


The agony of Beatrice Cenci

Mastro Titta, the Rome executioner

Cesare Beccaria "Dei delitti e delle pene"
 

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